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Altered Species aka Rodentz (2001)

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‘They’re everywhere!’

Altered Species – aka Rodentz – is a 2001 American horror film written and directed by Miles Feldman [Serge Rodnunsky] (Black Cat, The Dead of Night, Blade of the Vampire).

The film stars Allen Lee Haff (Deep Freeze), Leah Rowan, Guy Veig, Robert Broughton, Richard Peterson, Derek Hofman, Alexandra Townsend and David Bradley.

Plot:

On a moonlit night, in a remote research laboratory, a major medical breakthrough is about to have deadly results. A chemical compound that was created to “hunt and destroy” deadly cancer cells has leaked from the hazardous waste disposal system into the building’s basement.

Now, the rodents involved in the laboratory experiment upstairs are not the only rats in the facility that will become the altered species. Professor Schultz, a leading bio-researcher, has just determined that the addition of a new enzyme now enables his “hunt and destroy” formulation to regenerate for the length of time necessary to neutralize deadly cancer tumors.

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When three varying degrees of the new mixture are administered to three different rats and the rest poured down the faulty “Waste Hazard” sink, shocking side-effects result in a night of terror…

Reviews:

“There’s nothing wrong with the concept of killer rats, but the movie falls flat in just about every area of execution. The acting sucks, the directing sucks, the guy in the big rat suit sucks, the effects suck, the music sucks, even the DVD Case art suck.”Hide the cheese” says the front. “Classic creature feature” says the back.” Shameface.com

“If only the filmmakers had followed their own tagline, “Hide the cheese…” The cheese is in full view, and it stinks to boot”. Rob Lineberger, DVD Verdict

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“Yawnsville story about a gaggle of cookie-cutter college kiddos who decide to get their party started at an abandoned building where a disgraced professor is trying to cure cancer by juicing lab rats full of glowing green goo a la Re-Animator.” Noel Gross, DVD Talk

“The rats are presented in almost every form available to special effects – there are real rats, CGI rats, plastic rats and even monster suits. None of these effects look in any way, shape or form even the remote bit scary. There are plenty of pathetically-staged rat attacks in which victims just lay on the ground and allow themselves to be swarmed over by the rats…” Andrew Smith, Popcorn Pictures

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“It sounds like a set-up for a comedy making fun of bad horror films, but it takes itself rather seriously. For a sub-genre of killer-rat movies such as are usually ultra-stupid, this one is perhaps a half-peg above, competently acted & entertaining, which is not the same as being on any level consequential. It’s beyond trivial.” Wild Realm Reviews

Have you seen this movie? Help the worldwide horror community by adding your own thoughts in the ‘Comments’ below? 

Filming locations:

Los Angeles, California, USA

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Wikipedia | IMDb

Related: Attack of the Rats! – article by David Flint



Badass Monster Killer (2015)

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‘Its Shaft meets Lovecraft’

Badass Monster Killer is a 2015 American comedy action horror film written and directed by Darin Wood and produced by Christy Savage. The TFO Productions film stars Jawara Duncan, Amelia Belle and Ryan Cicak.

Official synopsis:

“On the trashy side of Camaroville, there’s a mob turf war going down, but the new gang in town ain’t content with merely controlling the local dope and sex trade.

They are also mixed up with dangerous black magic, intent on resurrecting hideous demon-gods who have waited centuries for the chance to eat all our souls and enslave mankind!

These blasphemous bad guys need stopping, and Jimmy Chevelle, agent of The Department of Supernatural Security, is just the cat to do the stopping. He hasn’t let the man keep him down, and he’s certainly not going to let some sinister shape-shifting suckas destroy the earth, and all of its foxy, foxy chicks, if HE can help it.

But can he stop the gangster cult’s evil plans in time? Get ready for a freaky, funky thrill ride with demonic pimps, kung fu super foxes and terrible sanity-shattering extraterrestrial horrors from beyond space and time!”

Reviews:

” …what Badass Monster Killer lacks in budget in more than makes up for in inventiveness. While the monsters are a little rough, the designs are killer and the compositing is actually quite good given the film’s financial limitations. The same can be said for the production design, which is more Cool World than Sin City, with its curving buildings, multicolored sky, and abundant use of neon signs.” Kenneth Jackson, Dog’s Movie House

“The creatures themselves are well designed, if not always flawlessly rendered. They are creepy enough and close enough to Lovecraft’s ideas to be effective. The gore effects tend to be a bit uneven, but there are plenty of scenes of creatures spewing acidic substances across strip clubs, (a good bit of this film takes place in strip clubs and there are a lot of boobs on display)…” Jim Morazzini, Beneath the Underground

“In addition to the look of the film, you’ll probably dig some of the punchlines, as there’s good comedy tucked in the folds of the film, and there are a couple of characters that prove pretty memorable […] It’s absolutely crammed full of insane vocal exchanges, copious amounts of nudity and some goofy monster getups.” Matt Molgaard, Horrorfreak News

Interviews:

Director Darin Wood and producer by Christy Savage talk to Andrew Russell for Submerge magazine

Main cast:

Jawara Duncan (Planet of the Vampire Women), Amelia Belle (The Dark; Ligeia; Macbeth [2004]), Ryan Cicak (Area 49), Stephanie Hyden, Tara Henry, Galen Howard, Rae Wright, Liz Clare, Courtney V. Smith, Joshua Lee, Dan Beard, Robert Michael Haley, West Ramsey, David Ainsworth, Julian ‘Juice’ Jefferson.

Filming locations:

Sacramento, California, USA

IMDb | Official website | Facebook

Image credits: Beneath the Underground | Horrorfreak News | Submerge magazine

Plot keywords:

blaxploitation | cthulhu | foxy chicks | gang | h.p. lovecraft | kung fu | martial arts | monster | necronomicon | pimps


Residue (2017)

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‘Your demons await you…’

Residue is a 2017 Canadian crime-supernatural horror film written and directed by Rusty Nixon.

Private investigator Luke Harding (James Clayton) reads a sinister book owned by a seedy crime lord Mr. Fairweather (Matt Frewer).

Unbeknownst to Luke, the tome is a much sought after supernatural artifact and Fairweather’s greatest rival, the enigmatic Mr. Lamont (William B. Davis) begins pursuit of Luke with his henchmen Boston & Jacob (Costas Mandylor).

While the criminal underworld is desperate to retrieve the book and harness its power for their own dark agendas, it’s evil begins to take root in Luke’s apartment; pitting himself, his daughter (Taylor Hickson) and his secret love Monica (Elysia Rotaru) in a fight for their lives… and their eternal souls.

The film, which is described as ‘a neo-noir horror creature-feature’ is released by XLrator Media on VOD and iTunes on July 18, 2017.

Main cast:

James Clayton (Adam & Evil), Taylor Hickson, Costas Mandylor (Saw franchise, The Pledge), Matt Frewer (Watchman), Elysia Rotaru, Blaine Anderson (Scary Movie 4, Final Destination 5), and William B. Davis (The X-Files, The Tall Man).

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IMDb | Image credits: Horror-Movies.ca

 


There’s Nothing Out There (1990)

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‘A horror film of comic proportions’

There’s Nothing Out There is a 1990 [released 1991] American science fiction comedy horror film written and directed by Rolfe Kanefsky. Producer Victor Kanefsky, Rolfe’s father, was an editor (Blood Sucking Freaks; Ganja & Hess). It stars Craig Peck, Wendy Bednarz and Mark Collver.

It’s Spring Break, and seven high school students head to a secluded cabin in the woods for the weekend. Mike, a keen horror film fan, tries to warn his friends of impending danger. However, they scoff at him. That is, until sinister things begin to happen and they are attacked by a creature that wants to eat the men and mate with the women…

On January 11, 2011, Troma Entertainment released the film as a 20th Anniversary DVD with the following extras:

Interviews | Commentary by the Director | Pre-Production Footage | Still Photos | Trailers | Auditions | Behind-The-Scenes

Buy: Amazon.com | Amazon.co.uk

Reviews:

Cheap, schlocky and gleefully trashy, There’s Nothing Out There is an effective mix of low budget horror and goofy, tasteless comedy. The film wallows in genre clichés and needless T&A to good effect, resulting in a film that’s completely watchable and simultaneously horrible.” Ian Jane, DVD Talk

“While the movie is schlocky, it’s also able to point out some fun clichés that predated Scream by nearly a decade. There are riffs on the stray cat jumping out of the darkness, people’s willingness to get naked at the drop of a hat, the unnecessary need to learn the back story of the villain that always serves zero purpose toward survival, goofy romance music playing during the sex scenes…” Felix Vasquez Jr.,  Cinema Crazed

“This 16mm horror/comedy has decent special effects and camerawork, and like the earlier Final Exam and later Wes Craven flick Scream (1996), it includes a horror movie geek (Craig Peck) whose fright film knowledge comes into play.” Brian Albright, Regional Horror Films, 1958 – 1990

Buy: Amazon.com | Amazon.co.uk | Amazon.ca

“The monster is entertainingly cheesy and its movements hilariously stilted. Clothing is ripped off, cat’s jump out of nowhere, one character makes advantageous use of a dipping microphone boom (which is not cropped by the widescreen framing), eyes glow, faces melt, and there’s a nifty bit involving plate glass.” Eric Cotenas, DVD Drive-In

“Fast-paced, smart in script and surprisingly well-edited, it’s a very cheaply produced but stylish parody which falls short of credible acting while impressing with consistently good compositions. More pertinently, it’s fun. Rolfe Kanefsky directs with energy and imagination, compensating for the lack of finesse with a happy mix of snappy dialogue, occasional nudity and schlocky exploitation scenes.” Stuart Willis, Sex Gore Mutants

“In general, this no-budget parody of screen schlock is barely better than the dreck it imitates.” Carol Schwartz, Jim Olenski, VideoHound’s Cult Flicks & Trash Pics

“Making fun of horror films while embracing them at the same time is a tricky balance to strike. Yet, I thought There’s Nothing Out There! did an excellent job mixing horror and comedy.” House of Self Indulgence [review contains a plethora of choice images]

Main cast:

Craig Peck, Wendy Bednarz (Vampires and Other Stereotypes), Mark Collver, Bonnie Bowers, John Carhart III, Claudia Flores, Jeff Dachis, Lisa Grant, Sissy Frye, Cyrus Voris, Ronald St. Denis.

Choice dialogue:

Stacy: “He is a horror film – a walking, talking horror film!”

Mike: “We don’t know anything about this creature other than it, like everyone else, hates a mouth full of shaving cream.”

Filming locations:

Piermont, New York, USA

Running time and aspect ratio:

91 minutes | 1.78: 1

Trivia:

Rolfe Kanefsky was 20 years-old when he directed the film; his parents re-mortgaged their house in order to raise money for the budget of $350,000.

Principal filming took place over twenty-four days in the summer of 1989.

Various horror films are referenced, including Psycho (1960).

WikipediaIMDb


The Monster Project (2017)

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‘They aren’t just real. They’re here.’

The Monster Project is a 2017 American action horror film directed by Victor Mathieu (CarnieVille; Dead List; Tombstone Brides) from a screenplay co-written with Corbin Billings and Shariya Lynn. It stars Yvonne Zima, Justin Bruening and Toby Hemingway.

A group of young filmmakers interview three people claiming to be ‘real life’ monsters – a skinwalker, a vampire, and a demon. When the night turns deadly, the film crew must fight evil, inside and out…

The film has been in development since 2013. In the US, Epic Pictures Group is distributing on VOD on August 18, 2017.

Main cast:

Yvonne Zima, Justin Bruening, Toby Hemingway (The Girl in the Photographs; Black Swan; The Covenant), Murielle Zuker, Jim Storm, PeiPei Alena Yuan, Martin Lee White, Shayne Eastin, Shiori Ideta, Zac Cracknell, Phillip Sebal, Pat Scott, Jamal Quezaire, Steven Flores, and Susan Stangl.

IMDb | Facebook


Alien Convergence (2017)

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‘We have visitors’

Alien Convergence is a 2017 American science fiction horror film directed by Rob Pallatina (editor of Isle of the Dead; Little Dead Rotting Hood; 3 Headed Shark Attack; et al) from a screenplay by Marc Gottlieb (Planet of the Sharks).

The Asylum production stars Stephen Brown, Michael Marcel (Evil Nanny), Mishone Feigin and Caroline Ivari.

When flying reptilian creatures wreak havoc all over the world, the survivors’ only hope of stopping them is a new, state-of-the-art fighter jet piloted by the only team that knows how to use the technology…

In the US, the film is released on June 1, 2017 on VOD and June 27, 2017 on DVD.

IMDb


Blood Beach (1980)

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‘Just when it’s safe to go back in the water …you can’t get across the beach!’

Blood Beach is a 1980 American horror film written and directed by Jeffrey Bloom (Flowers in the Attic; scripter of Nightmares 1983, segment “Night of the Rat”).

The film stars David Hoffman, Mariana Hill (Messiah of Evil; Schizoid), John Saxon (Cannibal Apocalypse; A Nightmare on Elm Street) and Burt Young (Carnival of Blood). It was co-produced by Hong Kong-based Sir Run Run Shaw (Inseminoid).

The film’s jazzy score was composed by Gil Melle (The Intruder Within; The Sentinel; Embryo; The Night Stalker).

The premise, conceived by co-producer Steven Nalevansky, involves a creature lurking beneath Santa Monica beach that attacks locals and vacationers. In the US, the film was released by The Jerry Gross Organisation (Fulci’s Zombie; I Spit on Your Grave; The Boogey Man).

Plot:

A person goes missing on California’s Venice Beach. The Los Angeles Police Department are called to the scene and after an investigation, believe it was merely a typical drowning case.

Soon, the police get several more calls of missing people from the same area. The puzzled cops come down to the beach once again, and initially believe it is the work of a serial killer.

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Meanwhile, more and more people and a dog go missing. The police realise the thing on the beach is no serial killer when a teenager lets her friends bury her in the sand, but they unbury her only to find she has shredded legs, and a rapist is gorily castrated before the eyes of his horrified victim.

Eventually, the LAPD deduce that people are being sucked under the sand by something under the ground…

Reviews:

“It’s not nearly as camp or as sleazy as some horror fans might want, but the film isn’t without interest and humor. Somehow it works.” Videohound’s Complete Guide to Cult Flicks and Trash Pics

Buy: Amazon.comAmazon.co.uk | Amazon.ca

“Unfortunately, whenever we leave the beach (i.e. the majority of the 92-minute running time) to focus on the dull-as-dishwater romance of headliners David Huffman and Marianna Hill, the show stops dead in the water, with nothing but sergeant Burt Young’s mannered and decidedly un-PC rantings to carry the day.” Horror 101

” …all this may have been tolerable if the monster was any damned good. Unfortunately, you have to wait until the last five minutes of the movie to see the goddamned thing and it looks like a f*cking flower or some shit. Talk about a total gyp. The scariest thing about Blood Beach is when the hero and his girlfriend go to a bar and sing on stage.” Mitch Lovell, The Video Vaccuum

“The film is more comfortable with kitschy beach scenes, slightly overexposed and in soft focus so that the light takes on an almost tangible quality. Those have nothing to do with the alleged story, but they’re pretty to watch.” Mike Mayo, Videohound’s Horror Show

Buy: Amazon.com | Amazon.co.uk | Amazon.ca

“This low budget horror effort is a unique take on Jaws, but fails because of a terribly weak creature that is revealed during the final moments. A bit of gore, an intriguing premise, a couple quirky performances and even a brief, bluesy duet rendition of Guy Clark’s ‘Fools For Each Other’ make this a mild time waster for undiscriminating horror fans.” Cool Ass Cinema

“As a monster movie its pretty bad, easily predictable, padded with useless conversations, virtually bereft of interesting characters. But thanks to a moody score featuring horns and strings mixed with synthesizers, and thanks to the enjoyment inherent in watching people at beaches – in the wind, by the waves – I came away pleased by the atmosphere. I can’t recommend it but I can’t hate it.” David Elroy Goldweber, Claws & Saucers

Buy: Amazon.co.uk | Amazon.com | Amazon.ca

” …it worked great for Tremors but the people in charge here aren’t the people from Tremors so instead we have way, way too much time wasted on following the police around. This movie might as well have just been a police drama with the perp being a giant antlion mixed with an evil, mutated sunflower.” Happyotter

“Everything from the script and performances to the sound recording is just terrible. Badly paced, Blood Beach feels stretched out even at ninety-two minutes, and most disappointingly there’s not a whit of suspense.” John Kenneth Muir, Horror Films of the 1980s

Amazon.com | Amazon.co.uk

“…the work of an attractive and professional cast, a rarity in the genre, is undermined by plodding direction and a talky and incoherent script that is short on action, suspense and even the gore that the title promises.” Tom Buckley, The New York Times, January 24, 1981

Cast and characters:

  • David Huffman as Harry Caulder
  • Marianna Hill as Catherine Hutton
  • John Saxon as Captain Pearson
  • Burt Young as Sergeant Royko
  • Otis Young as Lieutenant Piantadosi
  • Stefan Gierasch as Dr. Dimitrios
  • Lena Pousette as Marie
  • Darrell Fetty as Hoagy
  • Eleanor Zee as Mrs. Selden
  • Pamela McMyler as Mrs. Hench
  • Harriet Medin as Ruth Hutton
  • Mickey Fox as Moose
  • Laura Burkett as Girl in Sand
  • Marleta Giles as Girlfriend
  • Jacqueline Randall as Second Girl

Buy: Amazon.com

Filming locations:

Santa Monica and Venice Beach, Los Angeles, California, USA

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Wikipedia | IMDb | Related: The Sand


Reeker (2005)

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‘If you can’t breathe, then you can’t scream.’

Reeker is a 2005 American horror film co-produced, written, scored and directed by Dave Payne (Addams Family Reunion; Alien Avengers II; Alien Terminator). It stars Devon Gummersall, Derek Richardson and Tina Illman. A prequel, No Man’s Land: The Rise of Reeker, also directed by Dave Payne, followed in 2008.

Strangers trapped at an eerie travel oasis in the desert must unravel the mystery behind their visions of dying people while they are preyed upon by a decaying creature…

Reviews [spoilers]:

Reeker works on several levels. It has it all from suspense to shock to gallons of grue, but the main thing that set it apart from the usual kill-the-teen pack is the great script and direction by writer/director Dave Payne and some really above average acting by the cast. Nothing about Reeker feels phoned-in...” Steve Barton, Dread Central

“Writer-director Dave Payne manages to keep the audience guessing as to what is going on, without ever making Reeker too confusing to follow, and, most important, so obvious that the audience unravels the mystery too soon […] Even with the problems that Reeker has, it is solidly entertaining (at least as far as contemporary horror films go).” David Walker, DVD Talk

“One of the appealing things about the film is the creature itself, which is clearly supernatural in nature, accompanied by an odious smell but is also seen wearing a gas mask and producing mechanical devices, suggesting something science-fictional. Where the film falters after a fine build-up is in the twist ending that pulls back to explain everything that is going on.” Richard Scheib, Moria

Buy DVD: Amazon.co.uk

“Alas, the longer this goes on the more idiotic it becomes, with every plot twist thrown up purely for effect in the moment and without much in the way of logic. Scripted by its director Dave Payne, it was a proudly independent film, but only went to show that sometimes a script doctor is sometimes exactly what your opus needs…” Graeme Clark, The Spinning Image

Les Jankey as a torn-in-half trucker

Reeker is smarter than its genre, and so runs the risks of condescending to the fright-night aud. But the pic avoids smarmy posturing by being more than reverent toward its elders — Evil Dead among them — while sending them up at the same time. A no-brainer for midnight-movie glory, Reeker is also a glossy, gory takeoff on the teensploitation slasher flick…” John Anderson, Variety

Cast and characters:

  • Devon Gummersall as Jack
  • Derek Richardson as Nelson
  • Tina Illman as Gretchen
  • Scott Whyte as Trip
  • Arielle Kebbel as Cookie
  • Michael Ironside as Henry Tuckey
  • Eric Mabius as Radford
  • Marcia Strassman as Rose Tuckey
  • David Hadinger as The Reeker
  • Les Jankey as Trucker
  • Carole Ruggier as Mom
  • Paul Butcher as Kid
  • Steven Zlotnick as Officer Bern
  • Christopher Boyer as Officer Mansfield
  • Wesley Thompson as Officer Taylor
  • Alejandro Patino as Velez the Medic

Filming locations:

Los Angeles, California, USA

Wikipedia | IMDb



The Predator (2018)

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The Predator is a 2018 American science-fiction action horror film directed by Shane Black (Iron Man 3) and co-written by Fred Dekker (The Monster Squad; Night of the Creeps). Shane Black was an uncredited script doctor on the 1987 Predator movie.

It is the fourth film in the Predator franchise, following Predator (1987), Predator 2 (1990) and Predators (2010). The new film is apparently a sequel and not a reboot and will be R-rated.

Specific plot details are sketchy but it seems that Olivia Munn plays a scientist, Trevante Rhodes and Boyd Holbrook are best buddy, ex-marines, and Jacob Tremblay’s character has a pivotal role due to his ability to learn languages.

The film stars Boyd Holbrook, Olivia Munn, Trevante Rhodes, Keegan-Michael Key, Sterling K. Brown, Jacob Tremblay, Thomas Jane, Yvonne Strahovski, Alfie Allen, Augusto Aguilera and Jake Busey.

Principal filming began in Vancouver, British Columbia, Canada on February 20, 2017 and wrapped on the 2nd of June.

Although the release date has changed a couple of times already, The Predator is currently scheduled to be released on August 3, 2018, by 20th Century Fox in regular and IMAX cinemas.

Trivia:

The film’s fake working title was Ollie.

Wikipedia | IMDb


The Cellar (1989)

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‘Whatever you do, don’t go into the…’

The Cellar is a 1989 American horror film directed by Kevin S. Tenney (Brain Dead; Night of the Demons; Witchboard and sequels) from a screenplay by John Woodward, based on screen story co-written with Darryl Wimberley and a short story by David Henry Keller M.D. Tenney took over as director from John Woodward eight days into the film’s shooting schedule.

A young boy finds an ancient Comanche monster spirit in the basement of his home. His parents don’t believe him, so he must kill the monster alone…

Reviews:

…The Cellar is a serviceable, and towards the end, even a gripping monster-in-the-basement film. The combination between the flaky, volatile dad and his son, who is a budding Thomas Edison, plays extremely well, provides 80% of the plot drive, and the performances are good. More subtle aspects, such as the interesting earth tone color scheme that matches the Southwestern landscape, also work very well.” Classic Horror

” …fails to deliver enough scary or suspenseful scenes to make this a believable top-rate horror thriller. Even the monster, which is supposed to be created from the most deadly parts of the most deadly creatures disappoints, turning out to be a cross between an alligator and a large rat.” Chris Miller, Chucks Connection

“The beast is pretty cool, but the characters are fairly lame. There is really meandering narration at the beginning and end that is laughable. But overall, it’s a passable 80’s horror outing.” Warren, Letterboxd.com

Choice dialogue:

Mance Cashen: “Looks like Dracula’s bedroom down here!”

Mance Cashen: “No! No monsters! They don’t exist. It’s silly to be afraid.”

Cast and characters:

  • Patrick Kilpatrick as Mance Cashen
  • Chris Miller as Willy Cashen
  • Suzanne Savoy as Emily Cashen
  • Ford Rainey as T.C. van Houten
  • Lou Perryman as Kyle Boatwright [as Lou Perry]
  • Michael Wren as Chief Sam John
  • Danny Mora as Chilo
  • Alex Pederson as Tommy Boatwright
  • Don Collier as Sheriff
  • Mindy Spence as Girl in Schoolyard
  • Nick Gomez as Boy with Plane
  • Irv Gorman as Tony Turner
  • Bryson G. Liberty as Striking Eagle [as Bryson Liberty]
  • Sid Dawson as Joe
  • Patrick Wells as Earl
  • Michael Crawley as T.C.’s Father

Release:

The film was released in the United States on VHS by Southgate Video in 1989 and in Canada that same year by Cineplex Odeon. As of 2017, it has not been officially released on Region 1 DVD or Blu-ray.

Wikipedia | IMDb


Dead Sea (USA, 2014)

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‘It’s feeding time’

Dead Sea is a 2014 American horror film written by, directed and starring Brandon Slagle (The Black Dahlia Haunting; House of Manson), alongside Alexis Iacono, Britt Griffith and Devanny Pinn.

CHANEL RYAN_DEAD SEA

A marine biologist is thrust into the violent paranoia surrounding a town preparing for the return of an impending sacrifice to a legendary serpentine creature, in this case being a giant lamprey, said to have surfaced from Hell during an earthquake…

In the UK, Frontline Home Entertainment is releasing Dead Sea on DVD on 4 September 2017

Buy: Amazon.co.uk

Reviews:

Dead Sea features a long-forgotten creature which makes for interesting subject matter. Minimalist special effects by Phil Nichols (Bigfoot Wars, 2014; Clinger, 2015), who also did the creature design and effects, are handled well, but the viewer does not actually get to see the serpent except in flashes while it is in the flurry of attack […] While the acting is a little shaky, and there are some slow moments, Dead Sea is a welcome addition to the horror genre.” Robin Andrew, Cryptic Rock

“The creature, or as they call it in the film the serpent, is actually rarely seen on camera. They could have gone the SyFy channel route and added really bad CGI, but I’m glad that they chose not to.  Instead they leave a lot of it to your own imagination.  Even when you do get to see it, you never see the whole thing.  It really felt old school in that approach and I loved it for that.” James Orrell, From Dusk Till Com

Buy: Amazon.com

Dead Sea is a clever little film that isn’t content with just being your average monster movie but instead throws together elements of monster cinema, mystery, psycho thriller and even horror in the Lovecraftean tradition to create a very tense piece of genre cinema that relies less on spectacle, effects, sudden shocks and gore than on suspense, dramatic build-up and a general atmosphere of unease.” Mike Haberfelner, [re]Search My Trash

DEAD SEA STILL_WATER ATTACK

” …an awesome Sci-Fi thriller movie that I might watch again. I love the way director and writer Brandon Slagle gave us the backstory to this horrific creature. It contains gore, violence, suspense, and lots of screaming.” Florita A., HellHorror.com

“There is tons of blood and a nice amount of action in the film. It plays out similar to a lot of the other creatures  features this week so don’t expect to much of a difference. Still if you are into big monster movies give this a view.” Horror Movies Uncut

dead sea jennifer woods alexis Iacono Tawney Amber Devanny Pinn

Main cast:

Brandon Slagle (The Black Dahlia Haunting; House of Manson), Britt Griffith (Syfy’s Ghosthunters, Ghosthunters International), James Jw Wiseman, Devanny Pinn (The Black Dahlia HauntingTruth or Dare), James Duval (Donnie Darko), Alexis Iacono (The Penny Dreadful Picture Show), Tawny Amber Young, Chanel Ryan (Dracula’s War, Scream Queen Campfire, The Undead), Candace Kita (Circus of the Dead, Coffin, Falling) K.J. McCormick (Syfy’s Ghosthunters) and Frederic Doss.

IMDb | Facebook


Jeepers Creepers 2 (USA, 2003)

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‘He can taste your fear’

Jeepers Creepers 2 is a 2003 American supernatural horror film written and directed by Victor Salva (Dark House; Clownhouse). It stars Ray Wise, Jonathan Breck and Luke Edwards and is, obviously, as sequel to Salva’s Jeepers Creepers (2001).

At the box office, the film took $63.1 million against a reported budget of $17 million. An expected yet long-belated sequel, Jeepers Creepers 3, finally arrived in 2017.

The Creeper, disguised as a scarecrow, abducts young Billy Taggart in front of his father and Billy’s older brother. The following day, a school bus carrying a high school basketball team and cheerleaders suffers a blowout, after one of the wheels is hit by a handcrafted shuriken made from bone.

Cheerleader Minxie has a vision of Billy and Darry Jenner, the Creeper’s victim from the first film, who both attempt to warn her about the Creeper. With the party stranded, the Creeper singles out several of the occupants. Minxie has another vision in which Darry explains that every twenty-third spring, for twenty-three days, the creature emerges from hibernation and hunts victims for specific body parts which it then consumes in order to replace those of its own…

On June 14, 2016, Scream Factory released the film on a Collector’s Edition Blu-ray. Special Features Include:

Disc 1:
Audio Commentary by writer/director Victor Salva, and cast members
Audio Commentary by Jonathan Breck (The Creeper), Brad Parker (Production Illustrator), and Brian Penikas (Special Effects Makeup)

Disc 2:
“Jeepers Creepers 2: Then and Now” featuring new interviews with writer/director Victor Salva, director of photography Don FauntLeRoy, editor Ed Marx, and actor Tom Tarantini (22 minutes)
“A Father’s Revenge” – an interview with actor Ray Wise (15 minutes)
“Don’t Get Off the Bus” – interviews with actors Tom Tarantini, Thom Gossom Jr., and Diane Delano (20 minutes)
-“A Day in Hell” – A look at the filming of Jeepers Creepers 2 (26 minutes)
-“Lights, Camera, Creeper: The Making of Jeepers Creepers 2” featuring writer/director Victor Salva, actors Travis Schiffner, Josh Hammond, Billy Aaron Brown, Eric Nenninger, Nicki Aycox, director of photography Don FauntLeRoy, and more (15 minutes)
-“Creeper Creation” featuring interviews with production illustrator Brad Parker, special makeup effects artist Brian Penikas, and Jonathan Breck (12 minutes)
-“The Orphanage” visual effects reel (4 minutes)
-“Creeper Composer” – an interview with composer Bennett Salvay and writer/director Victor Salva (10 minutes)
-Storyboard Renditions of Scenes Not Filmed – “The Creeper’s Lair” and “Ventriloquist Creeper”
-Deleted Scenes (16 minutes)
-Photo Gallery
-Theatrical Trailer

Buy: Amazon.com

Reviews:

“Few things are scarier than a sequel to a bad movie, but, in fact, Jeepers Creepers 2 is substantially better than its predecessor, even while staying strictly within the genre’s well-defined boundaries […] Bennett Salvay’s score may be hugely derivative — bits of Stravinsky, Bartok, and Marius Constant’s Twilight Zone theme drift through — but it’s very effective.” Andy Klein, Variety

“Instantly taking to the meals-on-wheels concept, the creature selectively dines out on the captive students, and any remaining inventiveness and suspense has exited quicker than the air in the stranded vehicle’s tires […] while it may have minimized location setups, the concept gets old really quickly, and it certainly doesn’t help matters when those bickering kids are so annoying that the Creeper can’t seem to pluck them away fast enough.” Michael Rechtshaffen, The Hollywood Reporter

JC 2 is by no means a great film, but it is a good one, especially if you’ve been disappointed by a lot of Teen Slashers out there right now. It’s probably too straightforward for its own good, and the middle, when the Creeper calmly takes its time assaulting the bus, might be a bit too slow for the teen crowd. Still, the film has enough action, suspense, and good special effects to satisfy most people.” Beyond Hollywood

Jeepers Creepers 2 is competently made, but it lacks the suspense – and the scares – of its predecessor. As a sequel it delivers on bigger set pieces, improved special effects, and more bloodshed, but the writing fails to give us any compelling characters. The teenagers are entirely unlikeable, and I found myself excited by the prospect of watching the Creeper turn their school bus into a smörgåsbord.” Adam Frazier, Geeks of Doom

“The most notable character on the bus is Scott Braddock (Eric Nenninger), a virulent homophobe who doth, I think, protest too much as he accuses fellow team members of being gay […] To call the characters on the bus paper-thin would be a kindness. Too bad, then, that we spend so much time on the bus, listening to their wretched dialogue and watching as they race from one window to another to see what foul deeds are occurring outside.” RogerEbert.com

JC 2 is by no means a great film, but it is a good one, especially if you’ve been disappointed by a lot of Teen Slashers out there right now. It’s probably too straightforward for its own good, and the middle, when the Creeper calmly takes its time assaulting the bus, might be a bit too slow for the teen crowd. Still, the film has enough action, suspense, and good special effects to satisfy most people.” Beyond Hollywood

Jeepers Creepers 2 looks far more elaborate, and yet…it’s nowhere near as frightening as the first half hour or so of the original, nor is it any more coherent or meaningful than the original’s last half hour. Gloss has overtaken terror here, as director Salva indulges in longer and longer takes of wide, wide shots that certainly look pretty […], but which are inevitably drained of any substantial tension or suspense.” Paul Mavis, DVD Drive-In

Cast and characters:

  • Jonathan Breck as the Creeper
  • Ray Wise as Jack Taggart, Sr. (Halloweed; Suburban Gothic; Big Ass Spider!, et al)
  • Luke Edwards as Jack “Jackie” Taggart, Jr.
  • Garikayi Mutambirwa as Deaundre “Double D” Davis
  • Nicki Aycox as Minxie Hayes
  • Eric Nenninger as Scott “Scotty” Braddock
  • Travis Schiffner as Izzy Bohen
  • Marieh Delfino as Rhonda Truitt
  • Billy Aaron Brown as Andy “Bucky” Buck
  • Lena Cardwell as Chelsea Farmer
  • Josh Hammond as Jake Spencer
  • Al Santos as Dante Belasco
  • Kasan Butcher as Kimball “Big K” Ward
  • Drew Tyler Bell as Jonny Young
  • Diane Delano as Bus Driver Betty Borman
  • Thom Gossom, Jr. as Coach Charlie Hanna
  • Tom Tarantini as Coach Dwayne Barnes
  • Shaun Fleming as Billy Taggart
  • Justin Long as Darius “Darry” Jenner

 

Wikipedia | IMDb


Monsters (China, 2015)

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Monsters – aka Yi zhong and 异种 – is a 2015 Chinese horror film directed by Guo Hua from a screenplay co-written with Yung Huang and Ping Yi. It stars Liu Qing, Zhou Haodong, Wu Yanyan, Zhao Qianzi, Yu Zijian, Shang Hong, Li Wenjie and Luo Xuan.

Jia Ying, a real estate sales manager, is mean, indifferent and still single. After her last clients have gone, she realises that she has left her mobile in the office. Thus, she is the only person in the building when it suddenly collapses and the elevator she is in crashes down the life shaft.

Injured and bleeding, Jia finds that her personal phone does not work. But she does find a battered work phone that connects. Unfortunately, the person that answers provides strange answers to her frantic calls. Worse still, there is a monster lurking in the dark…

Wikipedia | IMDb


It Hungers (USA, 2018)

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It Hungers is a 2018 American horror film edited, photographed, scored and directed by Rene Perez (Playing with Dolls and sequels; The Obsidian Curse; The Burning Dead) from a screenplay co-written with Jamie Grefe. Producer Stormi Maya (Playing with Dolls: Havoc) and J.D. Angstadt star.

Fact. When people become frightened, their bodies are flooded with a stress hormone called Cortisol. There is a creature that feeds on humans, but only when our bodies are ripe with fear and flooded with Cortisol. Only then does it like the taste of human flesh. Only then will it feed.

Deep in the forest, beautiful Rachel (Stormi Maya) is on the run from the law and stumbles into the creature’s lair. Like a chef preparing a meal, the creature unleashes a phantom to terrify her: a macabre clown.

Once Rachel is terrified enough to be consumed, the creature will move in for the kill. But Rachel is no ordinary girl and she is ready fight to survive…

It Hungers is currently in production for a January 1, 2018, release.

Filming locations:

California, USA

IMDb


Poseidon Rex (USA, 2013)

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Poseidon Rex is a 2013 American sci-fi horror film directed by Mark L. Lester (PterodactylClass of 1984Firestarter) from a screenplay by Rafael Jordan (Cowboys vs Dinosaurs; Yeti: Curse of the Snow Demon; Dragon Wasps; et al). It stars Brian Krause, Anne McDaniels and Steven Helmkamp.

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A small, secluded island off the coast of Belize suddenly finds itself terrorized by a deadly predator from the planet’s distant past when deep sea divers accidentally awaken an ancient evil…

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Buy DVD: Amazon.co.uk

Reviews:

“The often inane screenplay, by frequent Lester collaborator Rafael Jordan (Dragons of CamelotPterodactyl), vaguely recognizable cast struggling to make the script seem intelligible and strictly functional cinematography betray the movie’s most earnest intentions, however. Lacking sufficient self-parody to entertain as a campy monster-movie spoof or the budget to thrill as action-adventure or sci-fi, much like the creature it depicts, Poseidon Rex represents a throwback that even its own distributor can’t really get behind.” Justin Lowe, The Hollywood Reporter

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“If nothing else, it is better than the average B monster movie simply because it doesn’t look so cheap. The better budget has allowed the production crew to travel to Belize, which offers a sunny tourist locale and beautiful azure oceans. Moreover, it allows the crew to film underwater – even if the locations do nothing to approximate what is described as the dangerous and turbulent unexplored rift of The Blowhole. The film also has a decent level of digital creature effects.” Richard Scheib, Moria

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“It’s not a hidden gem by any means, but it has a slickness and a professionalism that is certainly lacking from the relatively snarky Sharknado or the even-cheaper mockbusters produced by The Asylum. One can always tell if the makers of a B-movie are sincere about making an entertaining film, or if they’re just being cynical. The makers of Poseidon Rex clearly meant it.” Witney Seibold, Nerdist

Buy DVD: Amazon.com

“Screenwriter Rafael Jordan and director Mark Lester unnecessarily embrangle the film with irrelevant subplots involving local thugs, treasure hunters and lost Mayan gold. The gangsters barge in on what is relatively the film’s best scene, in which Anne McDaniels’ buxom marine biologist cracks open a P-rex egg with her impeccably painted nails.” Martin Tsai, Los Angeles Times

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“The action sequences are nonsensical and cheesy, as expected, but Poseidon Rex fails to get even remotely creative with its kills, which greatly damages the final product and the primary reason most people will watch the movie. Most would be willing to endure unbearable dialogue and a groan inducing love story for a few spectacularly silly dinosaur kills, but we are deprived of such.” Cliff Wheatley, IGN

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“There is a lot of Star Trek style shaking whenever a boat is attacked and plenty of over-animated pantomime by actors working with empty space later populated by a computer-generated dinosaur. Sometimes it is humorous. Sometimes it is laughable for different reasons. Either way, Poseidon Rex could have benefitted from a better balance for unifying everyone involved.” Ian Sedensky, Culture Crypt

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Main cast:

Brian Krause (Be Afraid; Plan 9; Camel Spiders; et al), Anne McDaniels (Snake Outta Compton; The Dead Tales; Rock Paper Dead; )Steven Helmkamp (Street Eyes; Dominion), Candice Nunes (Terrordactyl), Berne Velasquez, Gildon Roland, Pulu Lightburn, Remo, Phillip Coc, Serapio Chun, Paul Hyde, Joe Requena, Aaron Lauriano, Chase Kilburn, Trey Schesser.

IMDb



The Unnamable II: The Statement of Randolph Carter (USA, 1992)

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The Unnamable II: The Statement of Randolph Carter – aka The Unnamable Returns – is a 1992 American horror supernatural film written, produced and directed by Jean-Paul Ouellette.

The film incorporates elements from the short story ‘The Statement of Randolph Carter’ by H.P. Lovecraft, and is a sequel to Ouellette’s The Unnamable (1988). It stars Mark Kinsey Stephenson, Charles Klausmeyer, Maria Ford and John Rhys-Davies.

Outside the Winthrop house, it is swarming with police officers and medics. Howard is being wheeled into an ambulance, Tanya is put into a police car, and Randolph is carrying Joshua Winthrop’s book of spells, which he gives to Howard for safe keeping. Randolph confronts the Dean, but it told not to dabble in things that he could never understand. However, Professor Warren agrees to help.

Howard is dragged along and the three go to the spot where Randolph erupted from the ground in the first film. Eventually, Warren and Carter find Alyda, Joshua Winthrop’s demon daughter wrapped up in the roots of the tree that dragged Alyda out from the house…

Buy DVD: Amazon.comAmazon.co.uk

Reviews:

“Its one flaw, which was intentionally ridiculous, is its 1920’s academic stuffiness. Carter and crew are almost unbelievably prim and proper, even with a beautiful nude girl who refuses to get dressed in their midst reflecting Lovecraft’s social ideals even though the film is set in modern times. The demon effects and gore are wonderful. Unnamable II is a horror romp, more fun than frightening.” Sorrell’s Creepshow

” …Jean-Paul Ouellette fails to understand matters like plot and this only proves to be a pretext to have the demon killing off various people. The creature effects are the best thing about the film. With its corny dialogue and portentous seriousness, the exercise sits just below the threshold of becoming outrightly laughable.” Richard Scheib, Moria

“All in all, this movie has a lot going for it aside from Maria Ford’s nudity. It’s funny in many ways, but sadly not the least bit frightening. The filmmakers tried to capture the spookiness of Lovecraft’s stories, but couldn’t pull it off. The hokey music was probably their biggest mistake…” Krogenar, Buried Planet

Buy DVD: Amazon.com

“The editing is a little rough around the edges. Scene transitions are abrupt. Also, whatever worked in the first act gets tired in the second one only to pick up again in the last act. The character of Alyda is annoying and, as it turns out, she is the center of the story. She brings this movie down and is poorly performed. Once again, the score is cheap and often inappropriate.” Steve Hutchison, Tales of Terror

“Unfortunately, the sinister grace of Katrin Alexandre’s she-demon from the first film is sorely missing. Julie Strain’s take on the creature is like herself, bigger and more athletic, and the overall feel is less like Lovecraft and more like a commonplace monster that’s escaped from a Brothers Grimm fairytale. That said, Unnamable II is still a fun ride…” Andrew Migliore and John Strysik, Lurker in the Lobby: A Guide to the Cinema of H. P. Lovecraft 

Buy: Amazon.co.uk | Amazon.com

Choice dialogue:

Doctor: “Whatever did this was using big teeth. Or some sort of tool.”

Doctor: “Remember the Dunwich thing? This may be something similar.”

Cast and characters:

  • Mark Kinsey Stephenson as Randolph Carter
  • Charles Klausmeyer as Howard
  • John Rhys-Davies as Professor Warren (Aux; Anaconda 3; Chupacabra: Dark Seas; Waxwork)
  • Julie Strain as Creature (BleedHow to Make a MonsterSorceress; Psycho Cop 2)
  • David Warner as Chancellor Thayer (In the Mouth of Madness; Necronomicon; Body Bags; WaxworkThe Omen; et al)
  • Shawn T. Lim as Robert
  • Siobhan McCafferty as Officer Debbie Lesh
  • Richard Domeier as Officer Malcolm Bainbridge
  • Brad Blaisdell as Officer Ben Lesh
  • Kevin Alber as Jack

Wikipedia | IMDb

 


Crocodile (USA, 2000)

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‘Ever feel like something is watching you…’

Crocodile is a 2000 American horror film, directed by Tobe Hooper from a screenplay by Jace Anderson, Adam Gierasch (Mother of Tears; Mortuary; Toolbox Murders; et al) and Michael D. Weiss, based on a story by Boaz Davidson (X-Ray).

The film was released direct-to-video on 26 December 2000. A sequel, Crocodile 2: Death Swamp, was released in 2002.

Buy DVD: Amazon.co.uk

Eight teenagers are going on a weekend boat trip on a remote lake in Southern California for spring break.

After a day of partying, Kit tells them a local story about how in the early 1900s, 96 years ago, a hotel owner named Harlan featured a crocodile named Flat Dog. Harlan eventually sets up a shrine to Flat Dog, believing her to be an avatar to the ancient Egyptian crocodile god (Sobek), creating a cult that worshiped the crocodile.

Meanwhile, close by, having destroyed a crocodile nest, two local fishermen are attacked by Flat Dog and devoured…

Buy DVD: Amazon.co.uk

Reviews:

” …Crocodile kicks temporary-escapist ass for one simple reason: It does not skimp on the bloody croc attacks. So many animal-attack films seem to miss this point entirely, resulting in utter disappointment, but Hooper gives nearly 10 violent on-screen deaths! Yes!” Rod Lott, Flick Attack

“The croc looks pretty good in some scenes when the real-life animatronic model is used. You get a nice estimate of its actual size as it eerily drifts along the lake just under the surface. It’s when the croc is required to do sudden movements and turn from side-to-side quickly where the CGI takes over and the effects lose their way.” Andrew Smith, Popcorn Pictures

“What we wind up getting, then, is lots of scenes of 90210-esque squabbling and fights between couples. Who cares? And by the time the croc does decide to get down to business, I’d lost all interest (but even then, they still didn’t show anything – it was mostly someone screaming in the distance and a loud chomping noise).” David Nusair, Reel Film

“It is as though Hooper no longer cared what he was making and is only going through the motions. He has simply gone with the standard formula plot of teens in peril that countless horror films have done before. The teens here are much more unlikeable than most…” Richard Scheib, Moria

“Aside from the unpleasant characters, the screenplay seems to have its share of suspense and some good shocks, but is compromised by some absolutely terrible special effects by the normally reliable KNB Group. Both the prosthetic effects and the creature are so shoddy as to remove any elements of believability and horror… Robert Firsching, All Movie

” … Hooper relishes every last absurdity on display. The lethargic, ponderous approach he brought to Night Terrors and even The Mangler is gone and even with this weak cardboard story one can feel the glee seeping right off the screen. Crocodile is no classic, but it is damn entertaining: funny and silly to the max, gory and in glorious bad taste.” John Kenneth Muir, Eaten Alive at a Chainsaw Massacre: The Films of Tobe Hooper

Buy: Amazon.com | Amazon.co.uk

“The CG effects are really bad, the script is dull and like in slasher films the croc fodder are completely unsympathetic. Hooper was off form for this one and the poor writing, acting and effects combine to produce a really forgettable movie.” Eat Horror

” …it’s a shame that there aren’t any stars in the movie because the amateur cast just can’t cut the mustard. I mean you know you’re in trouble when a dog trainer gets prominent billing in the opening credits. The real stars are KNB Effects who created some pretty good crocodile effects.” Mitch Lovell, The Video Vacuum

Cast and characters:

  • Mark McLachlan as Brady Turner
  • Caitlin Martin as Claire
  • Chris Solari as Duncan McKay
  • Doug Reiser as Kit
  • Julie Mintz as Annabelle
  • Sommer Knight as Sunny
  • Rhett Jordan as Foster
  • Greg Wayne as Hubs
  • Harrison Young as Sheriff Bowman
  • Terrence Evans as Shurkin
  • Adam Gierasch as Lester

Wikipedia | IMDb


Spellcaster (USA, 1988)

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‘He knows what you fear.’

Spellcaster is a 1988 [released 1992] American horror film directed by Canadian Rafal Zielinski from a screenplay by Dennis Paoli (Dagon; The Dentist; Re-Animator; et al) based on a story by Ed Naha (C.H.U.D. II: Bud the Chud; Dolls). It stars Adam Ant, Richard Blade and Gail O’Grady.

Sergio Salvati (Crawlspace; The Beyond) was the cinematographer and John Carl Buechler provided the special effects monsters.

Winning a trip to Italy via a Rock TV contest, Jackie (O’Grady) and her brother Tom (Pruett) join other winners Myrna (Demson), Yvette (Lind), Terri (Ulrich), Harlan (Zorek) and Tony (Modugno).

They settle into the rooms of an old castle, together with Cassandra (Bailey), a rock star playing along in the contest.

Wanting to get a leg up on each other, they all try to sneak out and find the $1 million prize before it starts, to no avail. When the contest begins, they start to die one-by-one from a mysterious source within the castle..

Reviews:

Spellcaster‘s attractive cast, impressive effects and make-up, and relatively light delivery are about the only aspects of the film that make it watchable schlock for those who enjoy cheesy, b-movie horror. However, with a dumb plot and severe lapses in basic logic, it is a frustrating experience for anyone not completely pleased by superficial pleasures.” Vince Leo, Qwipster

“Sure, it’s pure eighties cheese, but it’s damn tasty eighties cheese with goofy performances, a creative premise, and Adam Ant pulling in a memorable performance as Diablo. Memories have been kind and thankfully, Spellcaster is still an entertaining and demented horror film with a classic delving in to themes of greed and gluttony becoming the end of random yuppies.” Felix Vasquez, Cinema Crazed

“Bad acting, bad direction and ridiculously bad editing. O’Grady and Bailey are probably the two most watchable performers in this whole mess. I’d make it three including Adam Ant, but he doesn’t even show up till near the end of the third reel.” Christopher T. Chase

Spellcaster was Rafal Zielinski’s second attempt at directing an Empire flick after the rather more engaging but equally pallid Valet Girls. His ‘hand me the paycheque’ mentality is on show throughout, with occasionally shaky camerawork from the usually dependable Sergio Salvati and multiple continuity errors rearing their ugly mugs, alongside the odd scene where it appears as though a certain actor has mistimed his/her lines but the director just can’t bear to sit through another take.” Dave Jay, Empire of the ‘B’s

Buy: Amazon.co.uk | Amazon.com

” …has such a cop-out ending that the the film falls on its pie-studded face in spite of rich production values, good monsters by John Buechler and satisfying gory murders staged by director Rafal Zielinski. It’s a case of the film never taking itself seriously enough.” John Stanley, Creature Features

Main cast and characters:

Adam Ant, Richard Blade, Gail O’Grady, Harold Pruett (Embrace of the Vampire), Bunty Bailey (Dolls), Kim Johnston Ulrich (Rumpelstiltskin), Michael Zorek, Martha Demson, Traci Lind, William Butler, Michael Deak, Donald Hodson, Marcello Modugno (Dial: Help), Dale Wyatt.

Choice dialogue:

Rex: “Yeah, I’ve seen Lost Weekend!”

Filming locations:

Odescalchi Castle, Bracciano, Rome, Lazio, Italy (Night of the Devils; Castle of the Living Dead; Katarsis)

Wikipedia | IMDb


Kingdom of the Spiders (USA, 1977)

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‘A living, crawling, hell on earth!’

Kingdom of the Spiders is a 1977 American science fiction horror film directed by John “Bud” Cardos (The Dark) and produced by Igo Kantor, Jeffrey M. Sneller and James Bond Johnson. The screenplay was by Richard Robinson and Alan Caillou, from an original story by Jeffrey M. Sneller and Stephen Lodge. It stars William ShatnerTiffany Bolling and Woody Strode.

The $1 million movie took $17 million at the US box office, making it one of the biggest independent horror hits of the 1970s.

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Dr. Robert “Rack” Hansen, a veterinarian in rural Verde Valley, Arizona, receives an urgent call from a local farmer, Walter Colby. Colby is upset because his prize calf has become sick for no apparent reason, and the animal is brought in to Hansen’s laboratory. Hansen cannot explain what made the animal so ill so quickly, but takes samples of the now deceased calf’s blood to a university lab in Flagstaff.

A few days later, Diane Ashley, an arachnologist, arrives looking for Hansen. Ashley tells Hansen that the calf was killed by a massive dose of spider venom, which Hansen greets with scepticism and disbelief, until he sees the giant mound atop the spiders’ nest on Colby’s farm…

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Reviews:

” …the spiders are all real, so there’s nothing really ridiculous about the attack scenes, unlike something like Squirm or even The Birds, where bad effects/fake antagonists tend to ruin everything. Shatner really does have the goddamn things crawling all over him.” Horror Movie a Day

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“With some very scenic Arizona terrain as the backdrop, the film not only boasts some terrific and clever camera work but also a number of stunts and well-orchestrated chilling situations with the live tarantulas, making the majority of what’s on screen convincing when it could have been a pure campfest… ” George R. Reis, DVD Drive-In

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” …all the characters who got the most screen time and remain alive are herded into a house by the spiders and attempt to keep the flurry of furry 8 legged Theraphosidae from getting inside at them. It’s a non stop onslaught as the spiders manage to enter every nook and cranny found within the large cabin. It makes for a taut, expertly handled conclusion and the somber denouement is surely one of the great shock endings of all time.” Cool Ass Cinema

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  • Interview With William Shatner
  • Jim Brockett: Spider Wrangler Featurette
  • Audio Commentary By Director John Bud Cardos, Producer Igo Kantor, Spider Wrangler Jim Brockett And Cinematographer John Morrill; Moderated By Hostel Producer Scott Spiegel and Lee Christian
  • Rare Behind-The-Scenes Footage
  • Interview With Writer Stephen Lodge
  • Poster Gallery
  • Original Theatrical Trailer
  • Widescreen Transfer

Buy DVD: Amazon.co.ukAmazon.com

“The effect of 5,000 spiders swarming over everything (and everybody) is chilling and will have you watching where you step for days afterwards.” John Stanley, Creature Features

” … a film weighed down by stiff emoting, clunky dialogue, and some unintentionally humorous moments, but nevertheless, remains a gritty, B-grade, up-all-night, elemental thrill. Produced on a budget one-16th that of Spielberg’s shark opera, the film drew a dazzlingly profitable $17 million at the box office.” Terrence Butcher, Pop Matters

“There are no two ways about it, Kingdom of the Spiders is a great low-budget horror film, probably the best of the 1970s ‘animal’ pack (after Willard), and it bristles with delight, suspense, humor, and in the end, flat-out shock.” John Kenneth Muir, Horror Films of the 1970s

Buy: Amazon.com | Amazon.co.uk | Amazon.ca

“It’s got a beautiful Southwest setting, an appealing hero and heroine, believable and sympathetic supporting characters, a simple but not simplistic plot, a touch of humor, and a steady balance between quiet scenes and action scenes that gradually tilts towards action. It’s also got a nice score accented by slinky piano notes as the tarantulas creep into view.” David Elroy Goldweber, Claws & Saucers

Buy: Amazon.co.uk | Amazon.com | Amazon.ca

“Director John “Bud” Cardos betrays no particular feel for this kind of picture and there are no real moments of inventiveness or inspiration. A big problem is that the tarantulas, as ugly as they may seem to some viewers, don’t really exude much menace – they are just big, fat, slow and dumb, hardly anything to work up a sweat over. It is up to the actors to try to dredge up as much excitement and sense of peril as they can.” William Schoell, Creature Features: Nature Turned Nasty in the Movies

Buy: Amazon.co.uk | Amazon.com

Choice dialogue:

Doctor Rack Hansen: “Hey, the only person who is uptight about you being a woman is you, you know.”

Diane Ashley: ” …through the excessive use of insecticides, like DDT, we are inadvertently killing off the spiders’ natural source of food.”

Birch Colby: “Are you crazy, lady? This is our home! And no damned spiders are gonna run us out!”

Cast and characters:

Offline reading:

Up Till Now by William Shatner, 2009

Production:

Kantor told Fangoria magazine in 1998 that the film used 5,000 large, hairy spiders, though a number of rubber model spiders were also used during production. The live tarantulas were procured by offering Mexican spider wranglers US$10 for each live tarantula they could find; this meant that $50,000 of the film’s $500,000 budget went towards the purchase of spiders.

The large amount of tarantulas kept on-hand led to some unusual production difficulties. Not only did each spider have to be kept warm, but because of the creatures’ cannibalistic tendencies, all 5,000 spiders had to be kept in separate containers. Additionally, tarantulas are usually shy around people, so fans and air tubes often had to be used to get the spiders to move toward their “victims”. Indeed, in a number of the scenes where the tarantulas are “attacking” people, it is obvious to the viewer that the spiders are merely moving around, usually away from their intended victims.

Contrary to popular belief, the venom of most tarantulas is not dangerous to humans, causing no more harm than a bee sting (unless the person is allergic to the venom). The worst injury most of the actors suffered was troublesome itching caused by the spiders shedding their bristles.

Due to the film’s low budget, most of the music used in the film (particularly the “startle cues”) was taken from the logs of stock music used on suspense TV series. For example, most of the music used in the film during the scenes with the spiders can also be heard in notable episodes of The Twilight Zone, including ‘To Serve Man’ and ‘The Invaders’.

The country music songs heard on the radio in the movie, as well as over the opening and closing credits, were performed by country singer Dorsey Burnette.

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Wikipedia | IMDb | ABC cinema pic courtesy of Gav Crimson Blogspot

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The Wasp Woman – USA, 1959

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‘A beautiful woman by day – A lusting queen wasp by night.’

The Wasp Woman is a 1959 American science fiction horror film produced and directed by Roger Corman (who also plays a cameo as a doctor in the film) from a screenplay by Leo Gordon. It stars Susan Cabot, Fred Eisley and Barboura Morris.

To pad out the running time when the film was released on television two years later, a new prologue was added by director Jack Hill (Spider Baby).

Corman remade the film for cable television in 1995.

The founder and owner of a large cosmetics company, Janice Starlin (Susan Cabot), is disturbed when her firm’s sales begin to drop after it becomes apparent to her customer base that she is aging. Scientist Eric Zinthrop (Michael Mark) has been able to extract enzymes from the royal jelly of the queen wasp that can reverse the aging process. Starlin agrees to fund further research, at great cost, provided she can serve as his human subject.

Displeased with the slowness of the results she breaks into the scientist’s laboratory and injects herself with extra doses of the formula. Zinthrop becomes aware that some of the test creatures are becoming violent and goes to warn Janice but before he can reach anyone he gets into a car accident. Janice continues her clandestine use of the serum and sheds twenty years’ in a single weekend, but soon discovers that she is periodically transformed into a murderous queen wasp…

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Buy DVD: Amazon.com

Reviews:

“… would certainly seem to offer little promise for those who expect more from a horror or science-fiction movie than a shitty monster suit and a woman in peril, but Corman and screenwriter Leo Gordon somehow managed to turn it into something startlingly serious and mature.” Richard Scheib, 1000 Misspent Hours and Counting

“A passably well-made B movie but there is nothing remarkable to it. Most of the action is static and talky and the film drags, even though it only has a 73-minute running time. Indeed, The Wasp Woman is surely the first monster movie where the action is entirely limited to the confines of an office.” Moria

“Sure, it’s about as kitschy and cheesy as any late 50‘s/early 60‘s Roger Corman flick (one only needs to look at the dreadful movie poster to ascertain this), but with the benefit of hindsight we can look at the film now as a prescient satire on a society obsessed with appearance, beauty, and sexuality.” A Fistful of Cult

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Buy 12 Cult Classics DVD: Amazon.comwasp_woman_lc_04

The Wasp Woman is seen by some as Roger Corman’s heart-felt protest at how society undervalues women over the age of forty, as true today as ever. Others argue The Wasp Woman is evidence of Roger’s sincere belief that a shameless rip-off of  The Fly (1958), a big money-earner for 20th Century Fox the previous year, would earn similar profits for him.” HorrorNews

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roger corman monsters dvd

Buy Roger Corman Monsters DVD: Amazon.co.uk | Amazon.com

Cast and characters:

  • Susan Cabot as Janice Starlin
  • Fred Eisley as Bill Lane
  • Barboura Morris as Mary Dennison
  • William Roerick as Arthur Cooper
  • Michael Mark as Dr. Eric Zinthrop
  • Frank Gerstle as Les Hellman
  • Bruno VeSota as Night Watchman
  • Roy Gordon as Paul Thompson
  • Carolyn Hughes as Jean Carson
  • Lynn Cartwright as Maureen Reardon
  • Frank Wolff as Delivery Man
  • Lani Mars as Secretary
  • Philip Barry as Delivery Man

Offline reading:

How I Made a Hundred Movies in Hollywood and Never Lost a Dime by Roger Corman with Jim Jerome, Da Capo Press, New York, USA, 1998

The Films of Roger Corman by Alan Frank, Batsford , London, UK, 1998

Beast from Haunted Cave + wasp woman


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